In 1911 Una Nixson Hopkins published her only novel, A Winter Romance in Poppy Land (Boston: Richard G. Badger). Remembered now largely as an architect and interior designer, as well as a Hollywood art director, she was also a frequent contributer of articles and short stories to magazines like the Ladies’ Home Journal. The plot of A Winter Romance in Poppy Land is very much in the vein of such magazine fiction: George Oliver and June Winthrop, both visiting Pasadena, fall in love, but June rejects him when an overheard conversation suggests his complicity in a jewel theft from their hotel. Once June learns that Oliver is an aspiring playwright and the conversation concerned a plot twist in his latest work (the actual theft was a mere coincidence), she yields to his advances and the two announce their engagement. “An interesting love story with rather an unusual plot of misunderstandings,” concludes a contemporary reviewer in Out West, commending the book’s affectionately “vivid and true” depictions of its California settings (James 59).
The characters are all stock figures (distressingly so in the case of the African-American gardener, Japanese servants, and Hispanic locals), but when it came to choosing models for the photographic illustrations of her tale, Hopkins eschewed stock in favor of her Pasadena neighbors. Uncredited in the book itself, their identities are revealed in an eight-page manuscript tucked into the copy recently donated to the Penn Libraries by Caroline F. Schimmel as part of the Collection of Women in the American Wilderness.