Muffle that groan! The Penn Libraries acquired several dozen photograph albums, many of which I had the luck to process, and am happy to say beat hands down many of the slideshows I have been subjected to. The common thread in these albums is India from the late 1800’s to the second World War, most often created by military servicemen and women from Great Britain or the United States, but also by some missionaries and other travelers.
Each album gave a window into the specific experiences of ordinary individuals in a foreign and exotic country. It was amusing to see how well-chronicled tourist attractions were. Almost every album contained the obligatory shot of the Taj Mahal and other local sights. More adventurous albums contained photos of religious rituals like the cremation of human remains on ghats, or the everyday hard work of earning a living as best as possible. Only a few of these visitors were compelled to capture the extreme poverty and afflictions of the poorest Indians.
Some albums solely focused on the military installation or company around that individual and others were clearly photos taken on leave, enjoying vacation trips to Bombay or the mountains. The sporting activities, from polo in private clubs to military “Tug-of-War” teams to hunting expeditions, also appear regularly.
While no one album stood out particularly to me, the story that the collective body of these albums told was a wonderful opportunity to glimpse life in colonial India spanning decades before the Partition, as told by men and women, poor and rich, religious or not, military and civilian.
I couldn’t help but wonder how it would compare to a trip I would take today. Has photography changed? Has social media impacted what we photograph? #tajmahal has over 580,000 posts on Instagram – and of course includes selfies, something not found anywhere in the albums. You can’t count the number of hashtags on Facebook, but there seems to be an endless supply of Taj Mahal photos there too. I’m sure I’d be guilty of adding mine…