“Ocean—strip of water in groove 2; strip of shore, groove 4; wreck, groove 1, right of stage; raft, groove 3, right; Crusoe A, groove 5, left. [Curtain rises]”. When it is performed on a toy theater, the reconstruction of Robinson Crusoe’s shipwreck requires a certain number of technical details. A good staging is about the right choice of sceneries, flats, and figures: Forest or ocean? Little boat or big sinking ship? And which Crusoe figure should we pick – hunting Crusoe? Crusoe in shirt sleeves? Perhaps sitting Crusoe, speaking with his parrot? Granted, numbers and letters help with the assembly, but what would happen if we left our imagination run loose, and create our own deviations from the original story?
Toy theaters are miniature theaters used in intimate, private spaces for the performance of special adaptations of plays, novels, and historical events, often published in special booklets called “juvenile dramas.” Since the beginning of the nineteenth century, toy theater was a popular form of entertainment in the United Kingdom and in Europe, and at the end of that century it became widespread in the United States as well. To those interested in the history of this special middle-class pastime for the youth (and their complicit parents), the toy theaters, scene sets, and dramas included in the Charlotte Cushman Club records offer a great starting point.